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As a writer, I’ve gone through enough outlines and rewrites and “final drafts” to fill a small library. I get it. Storytelling in the world we live in can be an emotional circus, full of all that “is this even good enough” talk, which can make you forget why you started this thing in the first place, or worse, discourage you from the process altogether. 

Pro tip: You don’t need to do that alone. I’ve always felt grounded by the support of a good editor, especially one who understands my work enough to give me the real talk about what’s working and what needs a little TLC. As an editor myself, I’m stoked to provide that support for you, whether that’s a pep talk, development work, or some tough-love feedback. We cater the process to your needs, wading through the vulnerability process of creating, and getting that beautiful story ready for a world that deserves to hear it. 

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Creative Coaching

introducing

Welcome to my newest offering, where we work together to develop an ongoing project, explore creative blocks, or implement accountability strategies so you can make more space for your writing. We’ll start by getting to know each other and unpacking your project, so we can develop a format that works for you. Sound like your thing? Drop me a line! I can’t wait to meet you.

Developmental Editing

This is where the macro work happens. Before we can start talking about sentence flow, punctuation, or formatting, we've gotta make sure you're happy with the capital-S Story. You don't want to go through an intensive copy edit only to realize you then need to add a new character and scrap three chapters! Let's save you some time, shall we?

In a developmental edit, we'll address the major elements of the storytelling: character, plot, pacing, point of view, writing style, etc. Among other things, I'll locate areas of potential confusion, so your reader isn't stumbling on key plot points. 

We might unpack how you're using genre, theme, or metaphor to support the driving questions of the piece. We'll definitely make sure you have a clear sense of what those questions are. 

As your editor, my job is to critique your work, not criticize it. Before I write down any notes about your piece, I'm gonna make sure I understand your creative intentions. My feedback should support the work you've already done, not unravel it.

This type of editing is great for authors who have finished at least one draft of their piece and want professional guidance as they deepen the work.

let's do it

Starting at $0.035 per word
(About $2,800 for an 80,000-word manuscript)

Investment:

  • Author questionnaire unpacking your process, writing style, and preferences

  • One-on-one kick-off chat

  • One initial developmental editing pass, with in-document feedback

  • Comprehensive Editorial Report with feedback on story, character, and other big-picture elements

  • Mid-process check-in to walk you through editorial report and discuss next steps

  • Second follow-up pass after you've made edits based on my first-round feedback

  • Unlimited support over email or Zoom throughout our process

INCLUDES:

Line & Copy Editing

This is where we dig into the details. Line editing and copy editing are technically two different processes, but for ease (and for your budget) I offer them in one package.

Line editing addresses the flow and feel of the language. Think of your prose like one big pipe, and your story, the water that flows through it. Clunky sentences, overwriting, underwriting, mixed metaphors, and awkward syntaxes can all create blockages in the pipe, hindering the flow of your book, or worse, confusing your reader. My job as a line editor is to make sure your story reads smoothly from page 1 to fin.

Copy editing addresses the grammar and structure of the sentences. This type of edit ensures the writing is clear and consistent, and follows the standard rules of English grammar and style—unless you've intentionally deviated from those norms.

This edit is ideal for writers who have already addressed big-picture edits, and will not be changing any more major elements of the story.

let's do it

INCLUDES:

  • Author questionnaire unpacking your goals, writing style, and style preferences

  • One-on-one kick-off chat

  • One initial line and copy editing pass, with sentence-level edits and feedback

  • A tracked-changes tutorial to help you navigate the edited document

  • A bespoke style guide to ensure consistency throughout the editing process

  • Mid-process check-in to walk you through the first round of edits and confirm style choices

  • Second follow-up pass after you've made edits based on my first-round feedback

  • Unlimited support over email or Zoom throughout our process

Investment:

Starting at $0.04 per word
(About $3,200 for an 80,000-word manuscript)

Proof & Polish

This is for you if you’re steps away from hitting publish, but need one last check to ensure your book is ready for the world.

Unlike developmental editing or copy editing, proofreading does not address big-picture elements or sentence structure. Instead I'm looking for clear errors, inconsistencies, and any sneaky formatting oopsies. (Even the most skilled formatters can make mistakes!)

This is ideal for writers who have written a final draft, have had the book completely formatted, and want to hit publish with confidence.

Note: If I've already done developmental editing or line & copy editing on your book, I will likely refer you to another proofreader in the field to ensure you have a fresh pair of eyes.

let's do it

INCLUDES:

investment:

Starting at $0.02 per word
(About $1,600 for an 80,000-word manuscript)

  • One-on-one kick-off chat, discussing your publishing goals and your process so far

  • One proofreading pass with attention to spelling, grammar, and formatting

  • A marked-up PDF with my changes + comments where necessary

  • A recorded walk-through of the marked-up document, so you can easily interpret my edits

  • A bespoke style guide if you don't have one already

Book Coaching

Book coaching is designed to support you in the earliest stages of your book, when the ideas are messiest and the manuscript is in progress.

We'll have two sessions a month, giving you time in between those sessions to work on the book. During our sessions, we'll chat about where you're stuck, unpack what might be causing those blockages, and develop strategies to move your process forward.

Two days before each session, you'll be invited to send me new or revised pages to look at. Unlike a developmental edit, this review is less focused on critique and more on your process. Rather than giving you prescriptive feedback, I'll share what questions came up for me and help you decide how you want to move forward.

Most importantly, we're not trying to polish or perfect your book through coaching. This is the most exciting part of the writing journey (I think), where you have the chance to make a big mess and clean it up later in the editing process. We're here to explore the myriad ways you could tell your story, and to find the path through that feels right for you.

While I have a loose template for how our sessions will look, ultimately we decide together how our time will be structured and what you want to focus on creatively. This is your playroom. Let's make a mess.

let's do it

the coaching package:

one-off brainstorm sessions:

Single 30-minute Session: $75

Single 60-minute Session: $110

  • Author questionnaire unpacking your process, writing style, and creative challenges

  • Two private workshop sessions per month, 60-minutes each

  • Editorial review of chapters in progress

  • Customized exercises, writing prompts, and reflection questions

  • 24/5 support throughout our process

Investment: $400/month

“Sophie was meticulous yet gentle with my book proposal. 

She edited my work with a fine-tooth comb without compromising my voice. She added a greater sense of clarity to my work, which is exactly what I was looking for. I trusted her every step of the way as she took the time to check in with me regularly. Going forward, I will work with Sophie whenever I need an editor. She is a pleasure to work with and prompt with delivery. I could see that Sophie wanted me to succeed. She did not treat my project like a one-off. She took the time to understand the needs and message of my business. For this reason, I will remain loyal to Sophie for future projects.”

Sophia Feliciano, author, The Toothless Connoisseur

"Sophie has been perhaps the most trusted reader, editor, and critic of my work for years now. 

She brings a caring, insightful approach to content critique that has left every project I’ve ever workshopped with her more nuanced and more assured. She’s got a great eye for copy editing too. If you’re keen to feel as if your editor or creative coach is personally invested in both your process and your product, I cannot recommend Sophie’s services highly enough.”

daniel mcelroy, MA Migration and Diaspora Studies

"Sophie’s wit and talent is only outdone
by her patience. Working with her was a great experience, and she could not have been more helpful.”


Nick Blatt, video editor, CNN

"Partnering with Sophie has been one of the most rewarding experiences I’ve had as a writer. 

Her supportive approach has allowed me to work as my authentic self, which has had a profound effect on my content during the proofing and copy editing process. She provides safety in vulnerability and has honed my skills with invaluable and constructive feedback, notably reminding me of what’s important to focus on to best foster my potential. Sophie has empowered me to believe in myself and create what matters, guiding me to next steps to achieve my life goals. So thankful for Sophie and our partnership!”

Beau buchanan, poet and artist, Unicorn

Let's make a mess.

Whether I’m working with you as an editor or a coach, I can’t wait to learn about you and your project and all the things that make both of you unique. At the end of the day, we’re not really here to make your work like everybody else’s. I mean…yes, we can make sure everything is spelled correctly and styled consistently. But when we get past all that, I like to think we're here to play. This is a space for you to turn that whole brain-palace of thoughts and emotions and questions into a piece that you’re ready (and Excited!) to share with a community. 
 
This is a playroom. Let’s make a mess.

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your brain-palace of thoughts and emotions and questions